Every cap we make

The entry cap. Plain milled wool, nothing on the surface to date it.

The pattern most people picture when they picture a flat cap.

A woven check that carries two colours at once.

The same shape in cotton, for the months wool is too much.

The most open weave we make. Air moves through it.

Raised wales that catch light along one axis only.

Winter weight without a lining. The cloth does the work.

High-count merino with a faint lustre. Top of line A.

Eight panels, one button, plain wool ground.

Chevron rows that break across all eight seams.

A check that shifts direction eight times around the crown.

The eight-panel crown at a third less weight.

Wales radiating from the crown button outward.

Winter weight in eight panels. The heaviest cap we make unlined.

Fine merino across eight panels. Top of line B.

No peak, no structure, no inner ring. The least cap of any cap.

The same boina with 4 cm more diameter. Drapes further.

Felted rather than knitted. Denser edge, flatter face.

A boina light enough for a warm evening.

Brushed lining inside a shape that normally has none.

Fine merino, unstructured, with a leather edge band. Top of line C.

Low crown, short stiffened peak. The most compact shape here.

The peak pushes forward and stays there.

Chevron rows on the tightest crown in the range.

A forward peak with nothing heavy behind it.

Wales running front to back over a low crown.

Fine merino on the most compact crown. Top of line D.

The A-01 shape with a brushed interior.

Flaps that fold down and stay down.

Eight panels with a brushed interior under every one.

A diamond-stitched interior with loft between the lines.

Wool 85% / cashmere 15%. Softer face, same structure.

Fine merino outer, quilted interior, leather band. Top of the range.